It
is Christmas Eve 1882. The world’s greatest detective
finds himself without a case at what is normally his busiest
season. The holiday mood invariably turns people to crime,
yet everyone seems to be following the law. “It’s
not a good omen,” he complains, “not good at all.”
But his luck is about to change. A miserly, sour-dispositioned
businessman named Scrooge calls at 221B Baker Street with a
problem. A series of disturbing, ghost-filled dreams has caused
him to question his life’s course. His life passes before
his eyes in these dreams – a clear signal, he believes,
that he is in mortal danger. He’s certain the last dream,
which is to take place this night, will literally
be his last dream on earth. He is fearful of sleep. Can the
detective help?
The detective, whose name is Sherlock Holmes,
sees this as his most challenging case: He is to find nothing
less than “the snows of yesteryear.” And naturally,
he enlists help from his colleague and chronicler, Dr. John
Watson.
The dreams r
elated
by the miser provide important clues, but there are meaningful
gaps in the narrative – things he refuses to speak of:
His unkind father who banished the youthful Scrooge to a dreary
boarding school at Christmas; his sister, once beloved but
now seemingly forgotten, who bore a child and died young; his
reasons for disdaining his nephew, only child of that sister;
and especially the event that transformed him from an industrious
yet pleasant young apprentice, into a miser in the making and
ended his engagement to a lovely young woman. 
The memories are in there, Holmes tells Watson, “All
we have to do is go in and get them.” The means to do
that lies in a new and controversial medical development called “nervous
sleep” – or as it is more commonly known, hypnotism.
With Watson as hypnotist and Holmes in one of
his famous disguises as the Sprit of Finding Things Out, they
direct Scrooge in a very different kind of dream to discover
the secrets that made him what he became. Freed from the tyranny
of the secrets, he becomes a generous and almost happy member
of the community.
The
Strange Case of the Miser at Christmas is not another
stage adaptation of “A Christmas Carol.” It is
an original reinvention that finds its own truths in hints
and gaps Dickens left in his narrative. It carries on many
of the beloved traditions of classic versions – the
dreams, the ghosts, the carols, the Cratchits. But it spins
those traditions into a fresh work of theatre that provokes
thought both about the season and about our role as human
beings.
We experience (most of)
the familiar dreams,
but not exactly as Dickens relates them. For one thing, Holmes
and Watson are there to ask questions and even to participate
when pressed. In the end, Scrooge finds his way to redemption,
but not along the path Dickens set. And Holmes, the brilliant,
prickly genius without an empathetic bone in his body, learns
something too, about the human spirit, about the importance
of memory, and about the meaning of Christmas.
Synopsis (pdf
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